Tag Archives: RWL34

Pekka Tuominen’s Puukko —Terävä Marvel

At the FICX 2019 I have bought one of Pekka Tuominen’s Puukko to replace my Spyderco Puukko.

The husband of Pekka’cousin, who was also exposing as the Paris Knives Show told me: in my country, to “taste” a knife we just hold it in our hand without to loot at it: to feel its balance and if it suits us.
Holding that marvel of a Puukko in your hand is something to experiment. First, the handle is made of birch’s bark, which feels like a hard cork from a seasoned wine bottle. It is soft under the thumb but also grippy in the palm.
Pekka assured me this kind of handle are indestructible! Just some soap and water.
This handmade knife is a display of the highest craftmanship. Everything is perfect.
With that kind of handle, you need a pommel.

As you can see the mirror finish on the nicorros pommel is “melting” with the showing tang’s end. Look closer, there is some microscopic lines ! This is the level of craftmanship you are encountering with Pekka’s knives.

Now the blade being made of RWL34 and mirror finished, it is not easy to picture it without reflections.

RWL34 has been used in the Lil’Nilakka I have reviewed here.
Pekka used his own Spyderco version to cut leather for his sheaths. But I have also seen a video where he use the same puukko as mine in his workshop.
For record, RWL34 is some kind of powder steel version of ATS34: with a very very fine grain and an easy to put a mirror finish on.

A puukko is not a real puukko without its sheath.
I remember 4 years ago, Pekka talking with Sal Glesser about the sheath of the Spyderco Puukko version. There were testing prototypes of the sheath and Pekka was adamant in what retention he was asking from it. It a sheath with wood inlays inside encapsulating the blade, the traditionnal puukko scabbard is very elaborated.

So here are my main Pekka creation, the Nilakka which is my sharpest Spyderco ever.
“Ned” which is a “Urban Hunter II” with carbon fiber and titanium and the new Marvel.

You can notice the pure and clean lines of their edges.

Pictures wise, I will meet Pascal who has bought a Hunter with the same finish as my Puukko. Those marvels encounter will be photographed.

Having harvest a piece of chestnut wood, dried under the summer sun, I have put the new Puukko at the test.

The rounded spine makes it an ideal thumb pushcutting’s friend. The blade goes deep like in butter. In fact it beats the Nilakka and the Hunter in terms of spine confort and for an unknown reason it was just cutting like the proverbial lightsaber. The experience is putting a grin on my face.

To get the blade to the razor sharpness I really wanted , I have used white ceramics for 20 minutes and then leather stropping for another 15 minutes as Pekka has advised.

Yes it is now a razor with the same caress found on the AEB-L Urban.

Now, I’m going to use it also in the kitchen, which is some kind of battlefield where the Puukko will ne

Some pictures from Pekka’s Facebook page:

67270012_2580940811956868_4830865277648371712_nA picture of my Puukko by Pekka. The handle is like a finger print. 🙂

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A tactical version which I loved too.

46782264_2196982117019408_1857255772753231872_nA sistership with brass bolster.

 

48891712_2246541792063440_2784894109402267648_nThat could be Pascal’s hunter.

 

51345914_2293930640657888_6713102130678333440_nA Hunter and a Puukko.

 

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And the last one with a strong French flavour is “Ned” my Hunter.

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Spyderco Lil’Nilakka – My Romantic Gentleman Puukko.

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When I consider a new knife, I like to choose it in such a way that it conveys values that appeal to me; in synch with my mood with what I recognize as exemplifying a tradition, a nation; when craft turns into art.

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I also opt for features complimentary to the ones I already have so that each knife stands out as champion in its category. Ie this one does not rust, this one will not be taken away from me in UK or Denmark, this one is really good for heavy duty stuff, this one has something so obscene about it I can’t resist!

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Setting the mood: read Henrik Ibsen’s Peer Gynt; listen to Symphony n.5 by Jean Sibelius (pictured): dears belling in a barren wilderness where primitive elements collide – wind, sheer stones and icebergs…

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…envision cold tundra landscape depicted by Akseli Gallen-Kallela’s paintings – the hard conditions forging men and women. Suomi.

 

A gentleman folder with no pair equal.

Which Spyderco better conveys rigour and austerity of the North other than the Pekka Tuominen designed Lil Nilakka Puukko? It stands out immediately recognizable with its character unlike any other and its craftman, alike the aforementioned finnish artists, is a true representative of the Nordic tradition and nation.

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So to summarize: as Sibelius was once said to be the “Chopin of the north”; Pekka the Sibelius of blacksmith and cutlery.

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So what is so fantastic about Lil Nilakka?

Still life:

  • Matter of taste: traditional finnish Puukko – I love it!
  • White G-10 so elegant – like ivory but walrus friendly.
  • RWL 34 the Robert W Loveless “in memoriam” steel with excellent combination of corrosion resistance, edge sharpness and hardenability. Also its said to be easy to maintain; good for me!
  • Solid clip that nests Lil Nilakka deep in the pocket

In motion:

  • The Lil Nilakka is snug close-fitting in hand; the forefinger in the G-10 handle opening and the thumb comfortable on the spine thanks to the chanfer.
  • So perfect control when cutting – should that be the x-mas tree branches in excess or the ultimate test: pealing a ripe pear and skinning it angstrom style. The point of the blade and the blade’s width also contribute to making this tool one of extreme precision.
  • Easy to action linerlock and the blade fits perfectly; great engineering work!

 

Mine is #589; with me to stay as my gentleman Puukko!

 

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Spyderco Lil Nilakka Edge rolling out fixed and used.

On my Lil Nilakka You can see the damage on the edge. Dry bambu cutting…

It looks spectacular but it’s just a matter to realign the edge.

It hurst on a new knife !!… Ouch !


In fact I also use diamond to remove some material.


15 minutes later, it is back for more.

Simple tools…

30 minutes later on leather;
Convexing gives a little more material behind the edge. No more stability issues.
And it’s not giving up on performances.





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